This is the definitive version of my Rapp Snitch Knishes tab.

Standard Tuning, bars of 2/4

e|--18b20--18--16--15------------------|-------------------------------------|

B|--------------------16----16---------|--18b20--18--16--15------------------|

G|-----------------------17------------|--------------------15----15---------|

D|-------------------------------------|-----------------------17------------|

(you need to listen for the timing of the pull-offs,

they are basically grace notes, extremely quick)

e|------------------------------|----------------|-------------|--------------|

B|--18b20--18b20--18--16--------|----------------|-17--20--17~-|-17--20--17~--|

G|------------------------19p17-|-19p17--15--17--|-------------|--------------|

e|----15----15----18-18---|-------15----18--18--18-|------------------------------|

B|-16----16----16---------|-16-16----16------------|------------------------------|

ORIGINAL:

I made this tab from the original song that Doom sampled (a David

Matthews cover of Space Oddity, around the 2:10 mark). In Rapp Snitch Knishes, the guitar

part is sped up a bit so the tuning is slightly higher; therefore you'll have to tune

everything up if you want to play along with the song (though I don't know by how much).

The original song (which you can find on youtube) is in standard tuning.

There are delay effects and some layered guitar parts here and there, but I did my best to figure out

one definitive way to play it by yourself.

To make it easier to count I separated bars of 2/4

(also, at the very beginning, the first bar is played twice)

e|-------------------------------|--------------------------------------------|

B|--20b22--20--18--17------------|--------------------------------------------|

G|--------------------17------17-|-19b21--19--17--16--------------------------|

D|------------------------19-----|--------------------17------17--------------|

A|-------------------------------|------------------------19------------------|

(you need to listen for the timing of the pull-offs)

e|-----------------------------|-------------------|-----------|--------------|

D|------------------------21p19|-21p19--17--19-----|-----------|--------------|

e|------------------------|----------------------|------------------------------|

B|-----17----17----20-20--|-------17----20-20-20-|------------------------------|

G|--17----17----17--------|-17-17----17----------|------------------------------|

The third and fourth bars are the most open for interpretation.

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| b Bend

| ~ Vibrato

| p Pull-off

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